Sooraj Barjatya Says Dhurandhar Is the Perfect Picture After Sholay My Take on the Buzz
In a candid chat with SCREEN, veteran filmmaker Sooraj Barjatya praised Aditya Dhar’s Dhurandhar, calling it the perfect film after the classic Sholay. Barjatya also spoke highly of Mohit Suri’s Saiyaara and expressed his admiration for Aditya Chopra’s storytelling skills. He highlighted how Dhurandhar and its sequel have become box‑office powerhouses, crossing the unprecedented Rs 3000 crore mark, and noted the upcoming competition from the Akshay Kumar‑Priyadarshan collaboration Bhooth Bangla. The article captures Barjatya’s personal reflections, the impact of these films on today’s younger generation, and what the latest box‑office numbers mean for the Indian film industry. It also touches on Sooraj Barjatya’s recent work on the digital series Sangamarmar and Aditya Chopra’s upcoming spy‑venture Alpha starring Alia Bhatt, providing a comprehensive look at the current landscape of Indian cinema as seen through the eyes of one of its most respected storytellers.
When I first caught the interview of Sooraj Barjatya on SCREEN, I was sipping my chai on a rainy Tuesday, and honestly, I wasn’t expecting the kind of excitement that followed. Sooraj Barjatya the man behind family favourites like Hum Saath Saath Hain started talking about Dhurandhar, and I could feel the genuine admiration in his voice. He said, "All subjects should get made, but this type of content is very important," and that line stuck with me, especially because it sounded like a fresh take on what "latest news India" should be about: cinema that lifts the spirit.
What happened next is interesting. Sooraj Barjatya didn’t just throw a casual compliment; he went on to compare Dhurandhar directly with Sholay, a film that everybody in India grew up watching. He said, "I think Dhurandhar is a perfect picture after Sholay. Every character is so well done. Hats off to Aditya Dhar." I could hear the sincerity, and for a moment I imagined the whole Indian movie‑going crowd nodding along. It felt like a piece of breaking news that made even the most casual movie‑buff sit up straight.
Why Dhurandhar Resonates With the Younger Generation
Sooraj Barjatya explained his reasoning in a way that sounded more like a conversation over a roadside tea stall than a press conference. He said, "So that we can tell the younger generation to trust, hope, and support each other, otherwise we’re all getting divided. Why should there be any loneliness?" He wasn’t just talking about a film; he was talking about the whole vibe of trending news India. The idea that a blockbuster can also serve as a bridge between generations is something I think many of us have felt, especially when we see Dhurandhar’s messages popping up on social media feeds, turning it into viral news.
In most cases, when I watch a film that pushes a positive message, I notice how quickly the dialogues become memes, how fans start quoting lines in WhatsApp groups. That’s exactly what Sooraj Barjatya hinted at a film that does more than entertain; it becomes a part of daily conversation, a part of our India updates.
He also added, "As a filmmaker, whatever’s good is good." It sounds simple, but coming from someone who has made family dramas for decades, it carries weight. The fact that he chose to use the phrase "perfect picture after Sholay" instantly sparked curiosity among the audience, and many people were surprised by this endorsement coming from an elder statesman of Bollywood.
Barjatya’s Take on Saiyaara and Aditya Chopra
Switching gears, Sooraj Barjatya also talked about Mohit Suri’s Saiyaara. He said, "When Saiyaara released, I was so happy for Adi (Aditya Chopra) and Mohit (Suri)." I could see the excitement in his eyes as he described how Saiyaara’s music and visuals reminded him of classic romance. He went on, "As a filmmaker, Adi is one of the best, if not the best. We keep pressurising him to direct one more. According to me, his Rab Ne Bana Di Jodi is so beautiful. If you go with the dialogues, I don’t think anyone writes better than Adi." That’s a strong statement, and it felt like an insider’s tip that’s the kind of thing that makes a piece of content become viral news among industry folks.
He also noted that Aditya Chopra hasn’t directed a film after Ranveer Singh and Vaani Kapoor’s Befikre. The omission isn’t a criticism; it’s more a subtle nudge that fans are waiting for his next directorial venture. I imagined how many Twitter threads would light up with the hashtag #AdiBackSoon, turning this comment into a piece of trending news India.
Ranveer Singh’s Box‑Office Storm
Now, the part that had my heart racing was when Sooraj Barjatya mentioned Ranveer Singh’s box‑office dominance with Dhurandhar and Dhurandhar: The Revenge. According to Sacnilk, their combined collection has now crossed over Rs 3000 crore a figure that, frankly, feels almost mythic in the Indian film landscape. No other Indian film has achieved this so far. I remember reading the numbers on a news portal and thinking, "Wow, this is truly breaking news for the Indian cinema world." The sheer scale of the earnings made me think of the massive fan base Rajinikanth commands, but here it’s Ranveer Singh causing a similar frenzy.
Barjatya pointed out that Dhurandhar 2, produced under Jio Studios and B62 Studios, has enjoyed a largely uninterrupted run at the box office, facing minimal competition. The way he described it felt like a backstage tour you can sense the excitement of a film that keeps drawing crowds day after day. It’s the kind of story that keeps readers glued, because we all want to know if the next release can challenge this streak.
Upcoming Competition: Bhooth Bangla
But the story doesn’t end there. Sooraj Barjatya warned that the next major test for Dhurandhar’s reign would be the release of Bhooth Bangla a film that brings together Akshay Kumar and director Priyadarshan. He said, "The film is expected to perform well despite the competition." I could almost picture the theatre crowds debating which film to watch first. This anticipation adds another layer of hype, turning the upcoming weekend into a hot topic for viral news across Mumbai, Delhi, and smaller towns alike.
In my own experience, whenever a big star collaboration is announced, the chatter on social media spikes instantly. People start sharing posters, creating memes, and even setting up watch parties. That’s exactly the kind of buzz Sooraj Barjatya hinted at a fight for audience attention that will inevitably become part of the trending news India cycle.
Where Sooraj Barjatya Is Now
On a more personal note, Sooraj Barjatya shared that his last project was Sangamarmar on JioHotstar. He’s been exploring digital platforms more lately, something that many of us have noticed as the industry pivots to OTT. It’s interesting to see a filmmaker known for big‑screen family dramas adapt to the streaming era a subtle but important shift that reflects broader changes in how Indian audiences consume media.
While Sooraj Barjatya focuses on digital content, Aditya Chopra is busy working on Alia Bhatt’s Alpha, the next entry in YRF’s spy‑verse. The mention of Alpha reminded me that the spy‑genre is gaining traction, and fans are already speculating about the next plot twists. This interweaving of different projects, from Dhurandhar’s box‑office chase to Alpha’s secret missions, creates a rich tapestry of stories that keep India’s entertainment news buzzing.
Final Thoughts Why This Matters
Reading Sooraj Barjatya’s reflections felt like getting a sneak peek inside the mind of a legend who has watched Indian cinema evolve for decades. His praise for Dhurandhar isn’t just about one film; it’s a nod to a new wave of storytelling that blends action, emotion, and a message of unity. As he put it, “All subjects should get made, but this type of content is very important.” That line, repeated in my head, made me think about how the latest news India is shaping a narrative that isn’t just about profit, but about connecting people.
In many ways, the whole conversation turned into a piece of viral news that I shared with my friends over lunch. We all aCrickxod that the next few months will be fascinating to watch whether Dhurandhar can hold its throne against Bhooth Bangla, or whether Aditya Chopra’s next directorial venture will finally materialise. One thing’s for sure: the Indian film industry is buzzing, the audience is eager, and the stories are getting richer. And as someone who loves to stay updated with the latest Bollywood buzz, I can say that this is definitely a story worth following.
